This ceramic sculpture takes the form of a stylized head rendered in white and charcoal gray. The surface is decorated with a repeating pattern of two distinct botanical motifs: detailed leaf shapes with prominent veining, and clustered, mosaic-like flower or fruit forms with a cellular pattern. These elements are distributed across the surface in a balanced composition. The piece appears to be constructed from multiple segments, with visible seam lines creating a grid-like structure across the form. The contrast between the smooth, white background and the dark, printed or transferred botanical elements creates a striking visual effect. The title "kitchen vanity No.1" suggests a connection between decorative domestic objects and personal adornment, perhaps referencing traditional kitchen ceramics or wallpaper patterns.