A weathered concrete sculpture of a head, positioned in profile and tilted slightly upward, rests on a white pedestal. The surface is rough and pockmarked, with visible cracks and erosion that give it an aged, almost archaeological appearance. The features are simplified and elongated, with hollow eye sockets and a pronounced nose and lips that create strong shadows. The back of the head appears to be split or carved with a deep vertical line. The sculpture's gray coloring takes on subtle variations in tone where light hits its textured surface. Despite its deteriorated state, the piece maintains a serene, meditative quality that aligns with its title's reference to emptiness.